Nelson Literary Agency
Quressa Robinson joined the Nelson Literary Agency in 2017 after working at a previous agency and as an editor for five years. She is originally from San Francisco, but has been living in New York City for over a decade. As a New York based agent, she is eager to build her YA and Adult lists. When not curled on her couch reading, she plays video games, enjoys too much TV–mostly Sailor Moon and Harry Potter (Slytherin!), eats delicious things, drinks champagne, hangs out with her very clever husband, and adds another “dramatic” color to her lipstick collection. So, give her stories that will make her geek out. If you can make her have an epic fangirl squee–have stories featuring fairies and warrior princesses with afros and rainbow dreads or envision winter elves inspired by an Asian or Latinx culture–then you are definitely a match. She’s also looking for stories with best friends like Molly and Issa on Insecure, enemies to lovers, coming-of-age stories, The Breakfast Club with a twist, family drama and witches (!), and alpha heroes paired with witty heroines. If you have bold, fresh, or quirky stories they will be right up her alley. She’s also looking for stories that feel timeless and timely despite the current climate or when they were originally written. Or give her something she didn’t know she desperately needed. Above all, give her stories she can become deeply passionate about.
Quressa is currently seeking:
– Modern-day blue stockings, POC fangirls/fanboys, #blackgirlmagic, #carefreeblackgirls, #blackboyjoy, LGBTQ+, neuroatypical/neurodivergent, and disabled POCs as leads
– Young adult (contemporary, SF/F, historical)
– Adult SF/F with strong genre-bending/crossover appeal. (Think the All Souls Trilogy by Deborah Harkness, The Night Circus by Erin Morgenstern, and The Age of Miracles by Karen Thompson Walker. I’m also a fan of Anne Bishop and Naomi Novik.)
– Romance (all genres except romantic suspense), especially by marginalized writers
– Literary fiction that is thoughtful, evocative, page-turning (The Mothers, Behold the Dreamers, Tell The Wolves I’m Home, Station 11)
– Upmarket and commercial fiction
– Passion projects in narrative nonfiction with a strong literary voice and commercial appeal (Wild by Cheryl Strayed, Hillbilly Elegy by JD Vance, Black Man in a White Coat by Damon Tweedy, When Breath Becomes Air by Paul Kalanithi). Would love to see non-whitewashed cowboy stories; pop science by women, specifically women of color; and literary, voice-driven memoir with commercial appeal.
– #ownvoices and marginalized authors in all genres mentioned above. Inclusive narratives in all genres.
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